Robin hood the legend of sherwood stage production

#ROBIN HOOD THE LEGEND OF SHERWOOD STAGE PRODUCTION HOW TO#
#ROBIN HOOD THE LEGEND OF SHERWOOD STAGE PRODUCTION SERIES#

One thing Ludwig included in his story version was a potential backstory for Robin. Jesse Bowron played this hero role with great gusto from the earliest moments. There are reasons for everything on a stage and this will become clear in time. I particularly loved the quotes taken out of context and butchered in his mouth, as if he is trying them on for size. There were frequent pronouncements which took on a type of self-delusion quality delivered in Shakespearean language.

#ROBIN HOOD THE LEGEND OF SHERWOOD STAGE PRODUCTION HOW TO#

But his commands were not as much evil as, perhaps, a bad leader who fell into his role and had no idea how to do it. As a would-be monarch who wanted to line his pockets off the backs of the people of Sherwood, he was clearly an evil character. That was Prince John, played by Robert Shores. He had to be sponsored by someone more powerful. His attempts were some of the funniest moments as we could see he just didnвЂ™t have the evil-toolbox he needed. Often at odds with Sir Guy, The Sheriff couldnвЂ™t really carry out vicious orders to kill or hurt people from Sir Guy. He was, however, foiled by his sidekick, The Sheriff of Nottingham, played like a Barney Fife character by Quentin Scott. He represented out-of-control governments to Ludwig, which is why we need a Robin Hood. Victory gave him a true evil passion to get Robin at all costs, even as he created hell-on-earth for the people of Sherwood. Sir Guy of Gisbourne, played by Matt Victory, was the evil incarnate character who had it in for Robin. True to the character, he wasnвЂ™t little, but he was quick with witty responses and a fair amount of slapstick as a mainstay of the Merry Men. created another friendly, funny story arc that not only let him drift in and out of the story and pop into alternative momentary characterization, but also show a transformation with some emotional breadth. Called Little John by all the historical versions of the story, A. He was also one of several comic-relief characters who kept the story light and fun, and sometimes downright funny.ДЇriar Tuck was joined in the Merry Men by John Little. It seemed in another show he could belt out a good song. At times he sang, and it wasnвЂ™t at all bad singing. At times he joined RobinвЂ™s Merry Men but spent most of the performance straddling the Fourth Wall. Dressed in an orange monkвЂ™s cape, he bantered with and involved the audience to get involved from the opening lines. You could say it was like a play-by-play announcer. ItвЂ™s a fast-moving story with many overlapping entrances and exits, so that the audience never really had a chance to focus on production choices вЂ“ they just kind of happened at some point.ДЇriar Tuck, played by a robust Freddy Martinez as if he were a circus ringmaster, narrated the Adventure, gave some backstory, and provided context. Absolute accuracy was not the goal rather an impressionistic suggestion of something appeared on-stage for a moment and then silently disappeared. The basic set in this round stage floor with four play-in corners used the barest of set pieces, easily and quickly moved by actors. All the production values fed into this, including sound, lights, props, and costumes. This is comedy and itвЂ™s clear from the opening moments. Aaron Siler took LudwigвЂ™s comic text and played it for all its worth. Plaza Theatre Company brought this version to life and the overarching theme was swashbuckling, with a bit of Mel BrooksвЂ™ Men in Tights thrown in.ДЄs a tale with no real historical evidence, these stories can be as outlandish or вЂњrealвЂќ as a writer or director wants. Sherwood: The Adventures of Robin Hood is that story, now playing in CleburneвЂ™s Dudley Hall.

Ken Ludwig grew up on that story too, enough so that the prolific author wrote his own stage play about this character. His Adventures of Robin Hood did the most to create the iconic Robin on screen from those wonderful stories. Flynn is probably most known for the Robin Hood most of us growing up.

But in the early days of the talkies, Errol Flynn set a standard for what an exciting character should be.

#ROBIN HOOD THE LEGEND OF SHERWOOD STAGE PRODUCTION SERIES#

With big-screen stories like Star Wars and Pirates of the Caribbean and the endless series of Marvel movies, swashbuckling is required of every hero and heroine. вЂњSwashbucklingвЂќ is a rarely used term these days.

Robin hood the legend of sherwood stage production